Carpets by regions
Rugs have been woven in Anatolia since before the 13th century. Carpets derive their names from the localities in which they are produced, tribal groups they are associated with, as well as from the techniques of their manufacture, the characteristic patterns of their ornamentation, the layout of the design and the intention of their use.
The motifs employed in Turkish carpets are so varied and can be classified into so many subcategories that they constitute, as it were, a great fan stretching from Thrace to Kars. From the Sivas region emerge the Sarkisla, Zara, Kangal and Divrigi carpets characterised by a remarkable wealth of symbolic expression forming one of the links in the rich chain of Turkish tradition. Motifs differing markedly in form and detail can be found in Anatolian kilims from Yagcibekir to Dosemealti, from Kula to Çanakkale.
The most important distinguishing feature of the motifs employed in Anatolian carpets is the "symbolisation" imposed by the traditional weaving techniques. The linear values of these woven fabrics constitute the symbolic representation of the ideas which the Turkish woman wishes to express. Perhaps it would be an exaggeration to say that all the motifs employed in carpets and kilims bear a symbolic significance, but it is usually possible to find a hidden connection between the "visible motif" and the "under lying motif". The symbolic values conferred upon the objects are stylised by the Turkish weaving technique itself. The language of the motifs is the language of any-one who can understand.
Well known weaving cities, towns, and districts include (but are not limited to): Usak, Bergama, Milas, Hereke, Konya, Nevşehir, Nigde, Antalya, Çanakkale, Kars, Kayseri,Malatya, Siirt, Taşpınar, Sivas, Yahyali, Izmir, Gaziantep Manisa, Ladik and the Van Province.